Cave diving is a form of penetration diving, meaning that in an emergency a diver cannot swim vertically to the surface due to the cave's ceilings, and so must swim the entire way back out. The underwater navigation through the cave system may be difficult and exit routes may be at considerable distance, requiring the diver to have sufficient. Studio painting depicting a cave, turquiose sea and a swimmer at the greek island of Hydra the island of Leonard Cohen. Shane Reynolds ( aka Shane O ) goes deep into the Sahara desert to see the Cave of Swimmers (the English Patient) with legendary Egyptian explorer Teymour (T. Sep 22, 2013 - The Cave of Swimmers is a cave with ancient rock art in the mountainous Gilf Kebir plateau of the Libyan Desert section of the Sahara. It is located in the New Valley Governorate of southwest Egypt, near the border with Libya. Hungarian explorer László Almásy explored the Sahara desert in Egypt and Libya, trying to find a legendary oasis called Zerzura. In 1933, he found a cave in Egypt's Gilf Kebir mountains that had paintings of people on the walls. The figures are estimated to be 8,000 years old. They appear to be swimming, but that was impossible in the Sahara Desert!László Alm.
'It was discovered in October 1933 by the Hungarian explorer László Almásy. It contains rock painting images of people swimming estimated to have been created 10,000 years ago during the time of the Ice Ages.
Cave Divers South Salina Ks
Almásy devoted a chapter to the cave in his 1934 book The Unknown Sahara. In it he postulates that the swimming scenes are real depictions of life at the time of painting and that there had been a change in climate since that time. This theory was so new at that time that his first editor added several footnotes, to make it clear that he did not share this opinion.
The cave is mentioned in the book The English Patient and the film based upon it. The cave shown in the film is not the original but a film set created by a modern artist.'
More from: http://www.showcaves.com/english/misc/caves/Swimmers.html
'Is it just fiction or a real cave? The Cave of Swimmers has a central place in the movie The English Patient.
A cave where prehistoric paintings show swimming people in the middle of the desert. This seems impossible, but there is an easy explanation: this area wasn't a desert some 10.000 years ago during the Ice Ages.
To say it clear: the cave in the film is not the real cave, it is just a film set. The area around the cave is a location in Tunisia, near Degache. The cave interior was painted by an Italian woman painter. She painted the cave, and she is shown painting in the title sequence of the movie.
The real Cave of Swimmers lies in southwest Egypt, at the border to Lybia. It was explored by the real László Almásy: who wrote a book about his discoveries. He also wrote a whole chapter about his archaeological findings, which unfortunately was left out in several editions. He mentions the theory, that there the motives of the drawings were real live scenes of daily life at this place. He explained this with a dramatic change in climate since then. This theory was so new, that his first editor added several footnotes, to make clear that he did not share this opinion. As far as I know, Almásy's book is only available in Hungarian and German.
The discovery of the prehistoric rock painting sites in the Uweinat mountains, was the most important result of the 1933 Almásy expedition. This expedition explored the Uweinat and Gilf Kebir region: Ain Dua, Karkur Talh, and Wadi Sora. Despite he was adviced and promised not to cross the border to Sudan, he did so and discovered several rock paintings in oases over there.
Gilf Kebir is a large mountain ridge, which extends over three countries, Egypt, Lybia and Sudan. The mountains consist of sandstones and crystalline rocks, like granite. Sandstone layers are porous which makes them good water reservoirs. They collect rain water and, at low points around the mountains, there are several springs which make small oases. Typically the rocks around the springs get eroded by the water, so each spring forms a sort of cliff or cavern. Most of the erosion happened long ago, when the area had much more rain and the production of the springs was much bigger.
The caverns around the spring were used for shelter by stone age man, and of course they were important, maybe holy places. So they used paint to draw scenes of their daily live on the walls of the shelters. Flint stone tools can also be found, but as far as I know, no scientific excavation was made by now. This kind of caves was found all around Gilf Kebir, most of them at the south western corner in Lybia.
The cave of swimmers has a different geology. It is located in granite, so it is not the place of a spring. But it is located at the bottom of a wadi, a valley which once contained a river. So it is a cave formed by the flowing water at the undercut slope. It is easy to understand, why peolpe would draw swimming people, while sitting at the banks of a river.
A last piece in the puzzle is the question how the paintings remained in the extreme climate of the desert. It seems, the natural pigments of the colours can resist temperatur changes very good. Paintings on certain rocks, where the surface is eroded by temperature changes, are lost forever. But granite is rather resistant. And the last problem is light, especially ultraviolett light, which destroys many colours (bleaching). Almásy: descries the absence of pintings in the part of the cave, which is reached by sunlight. It seems that direct sunlight destroyed the paintings at this place.
To make one point clear: it is not easy to visit the real cave of swimmers. The geographic and political difficulties make it difficult for the regular tourist. But some tour operators from Egypt organize desert expeditions which include a visit of the cave. You should organize and book such a tour in advance, as you will not find it on the regular day trip schedule in your Hotel...'
Lots of pics here.
THE ARTISTS OF THE CAVE OF SWIMMERS
The English Patient
An online article 'The 'wonderful rubbish' of the Gilf Kebir desert' published by the University of Cambridge [Past Horizons] reveals the work of artist Elisabeth Pauli, who in 1933, meticulously recorded the 6,000 year old paintings in the Cave of Swimmers in Gilf Kebir, an area on the border of Egypt and Libya.Her expedition to record and paint the prehistoric images coincided with other now-famous adventurers and researchers - the Hungarian aviator and desert explorer László Almásy, the renowned German ethnographer Leo Frobenius, and his colleague Hans Rhotert. It was Almásy whose exploration of North Africa provided the inspiration for the main character in Michael Ondaatje’s prize-winning novel The English Patient, made into a film by Anthony Minghella.The Gilf Kebir paintings of Elisabeth Pauli now belong to the Leo Frobenius Institute in Frankfurt, and copies of the images feature in an exhibition 'Leo Frobenius et L'Art Rupestre Africain' at the Goethe Institute in Paris.As with the artistic work carried out by Katharina Lommel in the Kimberley region in 1955, Elisabeth Pauli painted in situ, and evidence of this has now been found by Dr Giulio Lucarini, currently a researcher at Cambridge University; the discovery of some of Pauli's original materials in the Cave of Swimmers. The Goethe Institute exhibition is displaying photographs of the tubes of watercolours Pauli used, and the thumb tacks that held the paper on which she recorded what she saw.Dr Giulio Lucarini and Professor Barbara Barich are part of the team leading the preservation project in the Gilf Kebir, run by the Italian-Egyptian Cooperation Programme, supported and promoted by the Italian Ministry for Foreign Affairs and the Italian Development Cooperation. Archaeologists and restorers are attempting to stabilise an area of cave art that was becoming increasingly eroded. This involved clearing the floor of debris caused by tourism - it was then that they discovered the original artist's materials.The colours she used were caput mortuum, ultramarine, Chinese white, brown ochre and raw umber. These are the predominant colours of the rock and the figures which were made using mainly red and yellow ochre and white kaolin.The preservation project will encourage extensive and long-term educational programmes that teach local communities, and especially new generations, about their unique heritage and inform guides and other groups about the importance of artworks in the Gilf Kebir.→ To read more about the Cave of Swimmers in Gilf Kebir
Swimmers Cave Drawingsclick here
.→ University of Cambridge. The 'wonderful rubbish' of the Gilf Kebir desert. Past Horizons. June 17, 2014, from http://www.pasthorizonspr.com/index.php/archives/06/2014/the-wonderful-rubbish-of-the-gilf-kebir-desert.→ The Cave of Swimmers
Cave SwimmersReports on the research of rock art and pottery in the Gilf Kebir region
→ African Rock Art Archive
→ Bradshaw Foundation
Daniel Cave SwimmerLike us on Facebook & Follow us on Twitter to receive news & updates